How to find the tex encoding of specific fonts?Are the original CM fonts better than the current type1 fonts?How to create new font encoding in LaTeX?How does _ work if OT1 is default encoding for LaTeX?What is the reason behind why > and < don't display properly without T1 font encoding?How to find Devanagari fontsIs there a general method for obtaining small caps with custom fonts?LuaTeX does not find dfont fontsTesting specific fonts for (specific) available charactersHow does output font encoding work in XeLaTeX/LuaLaTeX?How to use other fonts in plain tex using MikTeX?
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How to find the tex encoding of specific fonts?
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How to find the tex encoding of specific fonts?
Are the original CM fonts better than the current type1 fonts?How to create new font encoding in LaTeX?How does _ work if OT1 is default encoding for LaTeX?What is the reason behind why > and < don't display properly without T1 font encoding?How to find Devanagari fontsIs there a general method for obtaining small caps with custom fonts?LuaTeX does not find dfont fontsTesting specific fonts for (specific) available charactersHow does output font encoding work in XeLaTeX/LuaLaTeX?How to use other fonts in plain tex using MikTeX?
While encoding for common fonts is easy to find, encoding for less common ones are fairly hard to obtain. I know that the encoding for cmr is OT1 and the encoding for cmmi is OML. However I can't find the encoding for cmcsc and cmtt. Are they OT1 or some variant of it? In general how can I find the encoding for any font?
fonts font-encodings
asked 6 hours ago
Ying ZhouYing Zhou
1819
add a comment |
While encoding for common fonts is easy to find, encoding for less common ones are fairly hard to obtain. I know that the encoding for cmr is OT1 and the encoding for cmmi is OML. However I can't find the encoding for cmcsc and cmtt. Are they OT1 or some variant of it? In general how can I find the encoding for any font?
fonts font-encodings
asked 6 hours ago
Ying ZhouYing Zhou
1819
add a comment |
While encoding for common fonts is easy to find, encoding for less common ones are fairly hard to obtain. I know that the encoding for cmr is OT1 and the encoding for cmmi is OML. However I can't find the encoding for cmcsc and cmtt. Are they OT1 or some variant of it? In general how can I find the encoding for any font?
fonts font-encodings
asked 6 hours ago
Ying ZhouYing Zhou
1819
While encoding for common fonts is easy to find, encoding for less common ones are fairly hard to obtain. I know that the encoding for cmr is OT1 and the encoding for cmmi is OML. However I can't find the encoding for cmcsc and cmtt. Are they OT1 or some variant of it? In general how can I find the encoding for any font?
fonts font-encodings
fonts font-encodings
asked 6 hours ago
Ying ZhouYing Zhou
1819
asked 6 hours ago
Ying ZhouYing Zhou
1819
asked 6 hours ago
Ying ZhouYing Zhou
1819
asked 6 hours ago
Ying ZhouYing Zhou
1819
asked 6 hours ago
Ying ZhouYing Zhou
1819
1819
add a comment |
add a comment |
1 Answer
1
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You're taking the wrong approach.
The original Computer Modern fonts have ad hoc encodings devised by Knuth in order to fit as many glyphs as possible in 128 slot fonts.
When Rainer Schöpf and Frank Mittelbach released the New Font Selection Scheme version 2 (NFSS2), they introduced the notion of “output encoding”, so creating the now familiar OT1, OML, OMS and OMX encodings, along with T1.
The last one is a real encoding for 256 slot fonts. It was agreed upon at the 1990 TUG meeting in Cork, Ireland, in order to cover a large number of European languages. This had become possible by the introduction of virtual fonts, which allow to remap and merge existing fonts into a consistent layout.
The (pseudo)encoding OT1 is just a portmanteau. For instance, cmr10 has ¡ and ¿ where cmtt10 has < and >, but both are “OT1-encoded”. Also cmti10 is OT1-encoded, but it has £ where cmr10 has $.
The question “what encoding is cmcsc10” is ill-posed. It is what it is and it is assigned in LaTeX to OT1. Two OT1-encoded fonts have corresponding glyphs in most slots, but may differ as shown above in some places.
answered 5 hours ago
egregegreg
740k8919403273
add a comment |
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1 Answer
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1 Answer
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active
oldest
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You're taking the wrong approach.
The original Computer Modern fonts have ad hoc encodings devised by Knuth in order to fit as many glyphs as possible in 128 slot fonts.
When Rainer Schöpf and Frank Mittelbach released the New Font Selection Scheme version 2 (NFSS2), they introduced the notion of “output encoding”, so creating the now familiar OT1, OML, OMS and OMX encodings, along with T1.
The last one is a real encoding for 256 slot fonts. It was agreed upon at the 1990 TUG meeting in Cork, Ireland, in order to cover a large number of European languages. This had become possible by the introduction of virtual fonts, which allow to remap and merge existing fonts into a consistent layout.
The (pseudo)encoding OT1 is just a portmanteau. For instance, cmr10 has ¡ and ¿ where cmtt10 has < and >, but both are “OT1-encoded”. Also cmti10 is OT1-encoded, but it has £ where cmr10 has $.
The question “what encoding is cmcsc10” is ill-posed. It is what it is and it is assigned in LaTeX to OT1. Two OT1-encoded fonts have corresponding glyphs in most slots, but may differ as shown above in some places.
answered 5 hours ago
egregegreg
740k8919403273
add a comment |
You're taking the wrong approach.
The original Computer Modern fonts have ad hoc encodings devised by Knuth in order to fit as many glyphs as possible in 128 slot fonts.
When Rainer Schöpf and Frank Mittelbach released the New Font Selection Scheme version 2 (NFSS2), they introduced the notion of “output encoding”, so creating the now familiar OT1, OML, OMS and OMX encodings, along with T1.
The last one is a real encoding for 256 slot fonts. It was agreed upon at the 1990 TUG meeting in Cork, Ireland, in order to cover a large number of European languages. This had become possible by the introduction of virtual fonts, which allow to remap and merge existing fonts into a consistent layout.
The (pseudo)encoding OT1 is just a portmanteau. For instance, cmr10 has ¡ and ¿ where cmtt10 has < and >, but both are “OT1-encoded”. Also cmti10 is OT1-encoded, but it has £ where cmr10 has $.
The question “what encoding is cmcsc10” is ill-posed. It is what it is and it is assigned in LaTeX to OT1. Two OT1-encoded fonts have corresponding glyphs in most slots, but may differ as shown above in some places.
answered 5 hours ago
egregegreg
740k8919403273
add a comment |
You're taking the wrong approach.
The original Computer Modern fonts have ad hoc encodings devised by Knuth in order to fit as many glyphs as possible in 128 slot fonts.
When Rainer Schöpf and Frank Mittelbach released the New Font Selection Scheme version 2 (NFSS2), they introduced the notion of “output encoding”, so creating the now familiar OT1, OML, OMS and OMX encodings, along with T1.
The last one is a real encoding for 256 slot fonts. It was agreed upon at the 1990 TUG meeting in Cork, Ireland, in order to cover a large number of European languages. This had become possible by the introduction of virtual fonts, which allow to remap and merge existing fonts into a consistent layout.
The (pseudo)encoding OT1 is just a portmanteau. For instance, cmr10 has ¡ and ¿ where cmtt10 has < and >, but both are “OT1-encoded”. Also cmti10 is OT1-encoded, but it has £ where cmr10 has $.
The question “what encoding is cmcsc10” is ill-posed. It is what it is and it is assigned in LaTeX to OT1. Two OT1-encoded fonts have corresponding glyphs in most slots, but may differ as shown above in some places.
answered 5 hours ago
egregegreg
740k8919403273
You're taking the wrong approach.
The original Computer Modern fonts have ad hoc encodings devised by Knuth in order to fit as many glyphs as possible in 128 slot fonts.
When Rainer Schöpf and Frank Mittelbach released the New Font Selection Scheme version 2 (NFSS2), they introduced the notion of “output encoding”, so creating the now familiar OT1, OML, OMS and OMX encodings, along with T1.
The last one is a real encoding for 256 slot fonts. It was agreed upon at the 1990 TUG meeting in Cork, Ireland, in order to cover a large number of European languages. This had become possible by the introduction of virtual fonts, which allow to remap and merge existing fonts into a consistent layout.
The (pseudo)encoding OT1 is just a portmanteau. For instance, cmr10 has ¡ and ¿ where cmtt10 has < and >, but both are “OT1-encoded”. Also cmti10 is OT1-encoded, but it has £ where cmr10 has $.
The question “what encoding is cmcsc10” is ill-posed. It is what it is and it is assigned in LaTeX to OT1. Two OT1-encoded fonts have corresponding glyphs in most slots, but may differ as shown above in some places.
answered 5 hours ago
egregegreg
740k8919403273
answered 5 hours ago
egregegreg
740k8919403273
answered 5 hours ago
egregegreg
740k8919403273
answered 5 hours ago
egregegreg
740k8919403273
740k8919403273
add a comment |
add a comment |
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